Main character Turgenev's story, on whose behalf the narration is told, is a twenty-five-year-old rich man traveling, speaking his in your own words, “without any goal, without a plan.” The young man is unfamiliar with painful thoughts about the meaning of existence. The only thing that guides the hero in life is his own desire: “I was healthy, young, cheerful, money was not transferred to me, worries did not have time to arise - I lived without looking back, did what I wanted, prospered, in a word, - the narrator admits “...I lived without looking back.”
“Without looking back” is an indicator of the degree of his social emancipation, which is determined not only and not so much by the unburdenedness of all kinds of everyday worries and the lack of thinking about tomorrow, but by a certain freedom in the moral and ethical sense.
“Without looking back” means without thinking about the consequences of one’s actions, “without taking responsibility for the fate of one’s neighbor.”
“Without regard” thus implies absolute freedom of desires and actions without any moral obligations on one’s part.
As we can see, the character of the hero of the story is set by the author from the very beginning as quite contradictory. On the one hand, being attuned to the wave of his own desires indicates a certain selfishness of his nature. At the same time, the hero’s deep inner need is an attraction to society, and this contradicts egoism. He is driven by curiosity, a genuine interest in the world, in people: “It amused me to watch people... but I didn’t even watch them, I looked at them with some kind of joyful and insatiable curiosity.” However, the hero’s aspiration to meet people is partly imaginary, because the role of an outside observer implies a certain elevation above the people around him, isolation from society. But at the same time, along with the desire to take the position of a leader, he does not experience the slightest discomfort from the position of a follower: “In the crowd it was always especially easy and joyful for me; it was fun for me to go where others were going, to shout when others shouted, and at the same time I loved to watch these others scream." Let us note that in the end it was precisely the fact that the hero’s freedom of expression turned out to be, it was precisely the dependence on the opinion of the “crowd”, on common social class prejudices that prevented the hero from finding happiness: having fallen in love, he never dared to connect his fate with a girl of lower origin, illegitimate daughter of a landowner.
Turgenev masterfully shows the origin and evolution of love feelings in the hero. On the first date, the girl whom Mr. N. saw seemed very pretty to him.
Next - a conversation in the Gagins' house, Asya's somewhat strange behavior, a moonlit night, a boat, Asya on the shore, throwing out an unexpected phrase: "You drove into the moon pillar, you broke it...", the sounds of Lanner's waltz - this is enough for the hero to feel feeling unreasonably happy. Somewhere in the depths of his soul the thought of love is born, but he does not give it a go. Soon, with pleasure, even with hidden complacency, the hero begins to guess that Asya loves him. He drowns in this blissful sweet feeling, not wanting to look into himself and speed up events. Asya is not like that. Having fallen in love, she is ready for the most extreme decisions. And these decisions are required from the hero. But when Gagin starts talking about marriage, N.N. again avoids answering, just as he once left him in a conversation with Asya about wings. Having calmed Gagin, he begins to talk “as coolly as possible” about what should be done in connection with Asya’s note. And then, left alone, thinking about what had happened, he notes: “Her love both pleased and embarrassed me... The inevitability of a quick, almost instantaneous decision tormented me...” And he comes to the conclusion: “Marrying a seventeen-year-old girl, with her character, how is that possible!”
The structure of the narrator's image in the story is very complex. From the first sentence of the story, we understand that this story was written down from the words of N.N. The one who supposedly wrote it down reveals himself with just two words: “... N.N. began.” Then N.N. tells the story of his love; at this time he is probably about fifty years old. Several N.N.s coexist simultaneously in the story:
N. N. is fifty years old;
N.N. twenty-five years old - as he was in reality (revealed in his actions);
N.N. at twenty-five years old is the way N.N. sees him at fifty years old (discovered through attempts at self-analysis).
The story takes the form of memories, which N.N. shares twenty-five years after meeting Asya. Temporary distance is necessary for Turgenev in order to give the aged hero the opportunity to look at himself from the outside, to pass judgment on himself.
Thus, the reader sees N.N. - a young man of about twenty-five, cheerful, carefree, living for his own pleasure. He subtly senses the beauty of nature, is observant, well-read, has acquired knowledge in the field of painting and music, is sociable, and has an interest in the world around him and in people. But he is indifferent to work, and he has no need for it. Nevertheless, with all his advantages and disadvantages, he managed to touch Asya’s heart.
Solvable educational problems:
- development of speech and mental activity of students;
Bringing students to an understanding of the humane principles of relationships between people;
Formation of timeless generally accepted rules of behavior and culture of relationships
Cultivating decency and worthy behavior in difficult situations
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Literature lesson (8th grade)
Topic: The image of Asya in the story by I.S. Turgenev "Asya"
1. Solvable educational problems:
- development of speech and mental activity of students;
Bringing students to an understanding of the humane principles of relationships between people;
Formation of timeless generally accepted rules of behavior and culture of relationships
Cultivating decency and worthy behavior in difficult situations
Lesson objectives: deepening students' knowledge about the image of the main character of the story; determining the main features of the main character; introduce the concepts of psychological portrait, literary type of a “Turgenev” girl.
Equipment: cards for individual work for questions; each student has a table “Characteristics of Asya”; cards with thesis “The main moral traits of Asya”, which are posted on the board during the discussion; homework – illustrations with girls
During the classes.
I. Teacher's opening speech.
Today in class we will continue the conversation about the story by I.S. Turgenev "Asya". We have to find out the secret of Asya and her brother, which will help us understand the “strange” behavior of the girl. We will get acquainted with the concepts of “Turgenev girl” and determine what is typical for this literary type. Let's find out what a psychological portrait is. Let’s complete filling out the table “Characteristics of Asya”. Now let's check your homework
II Working with text
1. Read the characteristics of Asya given by Gagin.
(“Such a crazy woman... Don’t tease her, you don’t know her: she’ll probably climb the tower.”; “She has a very kind heart, but a bad head”; “She never has half a feeling”; “Gunpowder.” she’s real... it’s a disaster if she loves someone.”; “Asa needs a hero, an extraordinary person - or an animal shepherd in a mountain gorge.”)
2. Conversation on issues:
- what appearance is made up of these characteristics?
(impulsive, kind, capable of surrendering to a strong feeling without reserve, able to feel acutely, worry, worthy of an extraordinary person);
- Why do you think N.N., looking at Asya, involuntarily exclaims: “What kind of chameleon is this girl?”
III. Work on the topic of the lesson.
1. Write the topic in a notebook.
2. Work using individual cards.
Card 1.
Asya and Gagin. Why do they hide their relationship?
N.N. asks himself this question: “However,” I thought, “they know how to pretend! But why? Why do you want to fool me? I didn’t expect this from him... And what kind of sensitive explanation is that?”
Give answers to these questions, but not on behalf of the narrator, but on behalf of the reader.
Card 2.
Among the means of artistic representation used by I.S. Turgenev, you can note the landscape, portrait, detail, story of one of the heroes (Mr. N.N., Gagin), etc. Re-read the description of the portrait of the heroine from chapter 2 of the story. What makes it unique?
The girl whom he called his sister seemed very pretty to me at first glance. There was something special about her dark, round face, with a small thin nose, almost childish cheeks and bright eyes. She was gracefully built, but as if not yet fully developed (...) her black hair, cut and combed like a boy’s, fell in large curls on her neck and ears (...) I have not seen a more mobile creature. Not a single moment did she sit still; she got up, ran into the house and came running again, hummed in a low voice, often laughed, and in a strange way: it seemed that she was laughing not at what she heard, but at various thoughts that came into her head. Her big eyes she looked straight, bright, boldly, but sometimes her eyelids squinted slightly, and then her gaze suddenly became deep and tender.
What secret does N.N. learn about Asya and her brother?
3. Monologue on the topic: “What in Asya’s behavior explains her background?
4. Reading by role of the episode “Dialogue between Asya and N.N.”
(Chapter IX. From the words: “Go somewhere far away to pray...” to the words: “It seems that I haven’t flown yet.”
5. Analysis of the episode read.
What does Asya dream about?
(go somewhere to pray, be like Tatyana Larina, about wings)
What wings are we talking about?
(the characters talk about love, about how this feeling elevates a person, “lifts him above the ground.” But we are talking not only about love, but also about “the wingedness of a person, i.e. the ability to selflessly love, strive for something big, the present, to which you can devote all your strength.
How do Asya's dreams characterize her?
(Asya strives for the unknown - for the future; she is ready for self-sacrifice, the girl has a rich spiritual world.
She has in common with Tatyana Larina sincerity and artlessness of feelings)
Why does the girl’s strangeness and her aspiration for the future cause hesitation in N.N.’s soul?
(He is afraid to go forward, afraid to break away from earthly habits and prejudices. In the world of artificial feelings and passions, he met something real for the first time. N.N. gives in to the necessity of action. He cannot meet the high demands that Asya places on herself and to people).
6. Answer on card No. 2.
(Work on card No. 1 is handed over to the teacher)
7. Generalization, conclusion
Literary theory
This portrait is calledpsychological, i.e., revealing the characteristics of the hero’s personality.
- What is the psychologism of Asya’s portrait?
(In changes, in movements, the reader understands what is happening in the heroine’s soul)
- What happens in the girl’s soul?
(Love is born, new feelings have overwhelmed Asya. Love is manifested through impetuous movements, through the changing expression of the eyes...)
Teacher:
The main idea about the heroine is created by her actions, behavior in different situations. What words could you use to describe Asya's behavior?
Working with the word EXTRAVAGANT
- Acquaintance with the meaning of this word in the Explanatory Dictionary.
- Give examples from the text that prove the extravagance of the heroine’s behavior.
- What explains this behavior?
(Asya explains it herself. Her extravagant actions reveal her nature. The girl herself constantly reflects on herself, revealing her soul in randomly thrown words)
8. Teacher's word
In the 50-70s, Turgenev turned to new genres touching on themes of a psychological nature. These are the stories “Calm”, “Spring Waters”.
The images of Turgenev’s heroines, with all the unique originality of each of them, formed into a single image of the “Turgenev girl” characteristic of Russia. For the first time, the main features of this image appeared in the heroine of the novel by I.S. Turgenev "Rudin" - Natalya.
The writer's contemporaries were surprised and attracted by her desire for a different life and the expectation of a figure who would be able to show the path to it.
Observations and conclusions about Asya’s character and actions allow us to approach the concept of the literary type of “Turgenev’s girl”
T.L . Literary type is a generalized image.
-
What do you think is characteristic of the literary type of “Turgenev girl”?
(as the students answer, the teacher makes small generalizations and posts the theses “Asia’s main moral traits” on the board:
- A soul that is impossible not to love;
- The ability to have sincere strong feelings, the absence of falsehood and coquetry;
- focus on the future;
- strong character, readiness for self-sacrifice;
- activity and independence in deciding one’s destiny.
These are the most striking moral traits of the heroine of the story “Asya”
9. Completion of filling out the table “Characteristics of Asya”(students began filling out this table in the previous lesson).
Make notes in the table yourself (music plays while you work)
CHARACTERISTICS OF ASI.
Asya, or Anna (the girl’s real name, although Turgenev persistently calls her Asya), is the heroine of the story of the same name. She appears to us from the first pages of the story as a young girl who first learned the feeling of all-consuming love. The writer reveals this path from an awkward, angular teenager to a woman who has known all the bitterness of disappointment.
Characteristics of the heroine
After the publication of the story, researchers of Turgenev’s work indulged in debates about whether the girls described in his works actually existed, or whether they were all a figment of his imagination. But even if the second assumption is true, the image he created on the pages of the work is striking in its depth and realism.
Reading chapter after chapter about how Asya’s love was revealed, you catch yourself thinking that this is exactly what happens in life, when the lack of life experience forces a girl to grope to find the very image that will conquer her lover. The fact that at first N.N. took it for eccentricity, but in reality it turned out to be attempts to catch a response in his soul when he was still just a girl.
The most true characteristics of Asya can be considered honesty and openness, so unusual in secular society. Her nature is richly gifted by nature, but at the same time it is not spoiled by the upbringing accepted in society at that time. Speaking fluently not only in Russian, but also in German and French, she could be absolutely natural, or she could instantly transform herself, portraying a soldier or a maid. Simplicity, sincerity, purity of feelings captivate N.N.
The meeting of the main characters can be called completely accidental, their mutual sympathy as people similar in way of thinking, upbringing, and origin is natural. But the parting was hasty, crumpled, leaving N.N. an unhealed mark is rather unexpected, because other than prejudice there are no other reasons for it. And yet, it is they who outweigh in the end and separate the heroes to different cities, and then countries.
The image of the heroine in the work
Asya's beauty attracts no less than her unusual, even non-standard character. The desire to shock often takes precedence over common sense. Just an hour ago, childishly cheerful and spontaneous, she could show completely adult seriousness and thoughtfulness. The girl is only 17, but she is tormented by thoughts about her own future. She wants to achieve feats, but reality strictly outlines the boundaries of what is permissible and permissible. Prank is what you can do when your soul demands to break out of the captivity of idleness.
The complexity of Asya's character is understandable if we remember her origin. From a very early age, she has to live in a contradiction that tears apart her consciousness - her father is a nobleman, her mother is a servant. An illegitimate, but recognized and beloved daughter - that’s what she became for her father. For a brother, a desired and dearly loved sister. What about N.N.? Gagin is convinced that they have no future, since his friend will not be able to overcome prejudices and marry a girl with such a history. The meeting, specially prepared by Asya, where she entrusts herself to her beloved and whispers: “Yours,” ends as her brother predicted.
The young man was frightened by the girl’s eccentric character and uncontrollability, but did not explain it directly to her, but preferred to blame Asya for not hiding from her brother. And only after discovering the disappearance of Gagin and his sister the next day, was he able to finally realize what really drew him day after day to seek meetings with them.
Why does Asya practically run away? Her honest and open character cannot come to terms with N.N.’s prudence and cowardice. Was she able to forget her first love? The author believes that this is what ultimately happened.
“Asya” is one of the best works in Russian and world literature. In this story, the theme of strange, incomprehensible, complex love appears. Turgenev tried to convey the experiences, emotions, and feelings of the main characters as accurately as possible.
Mr. N.N. is the narrator in this story; it is from his perspective that everything is narrated. He tells the reader about a sweet, very young girl, Asya. It was from Mr. N.N. we learn about everything that happens in the story. You can even draw a parallel between Mister N.N. and Turgenev. After all, our writer and main character are very similar, especially in character.
Mr. N.N. a young eccentric man with a little, a lot of 25 years of life behind him. By nature, he is a traveler who loves to learn something new and unknown, even mysterious. He is a young, rich man. His hobby is observing people's lives, their actions, and the way they communicate. Overall, he makes a good impression. The main character is a harmonious personality who has already taken place in life.
Mr. N.N. It’s impossible to imagine without sister Gagina. Asya is a young, sweet girl. Her behavior as a couple is surprising, but at the same time she is very shy and hidden within herself. Her mannerisms are more like those of a teenager. But this girl always says what she thinks and never lies. All that Asya evokes in the reader, as well as in Mr. N., is awe, care and tenderness.
Our main character is in confusion. She wants to plunge headlong into feelings, but at the same time she does not want to lose her balance. He always lives harmoniously and faithfully.
Asya is the girl who is not used to being silent. It was very difficult for her to overcome herself and open up, admit her feelings to the Master. But the hero did not accept her revelations. He is afraid of change, afraid of losing what he has. He is not ready to lose what he has. Namely, peace of mind and your well-being.
After the Master’s refusal, Gagin takes the girl to another city, without the opportunity to ever meet her lover. At that moment, Asya was depressed and upset and, probably, this was the best way out of this situation.
Our hero, Mr. N.N. and remained alone. He was still alone with himself and nature. Of course, he had other women who loved him, but he did not love them at all. But it was Asya who was able to leave a trace of love in his big and warm heart.
Essay Characteristics of Mr. H.H.
The main character of the work is a certain Mr. N.N., on whose behalf the story is told.
The image of the main character is revealed by the writer through the history of his relationship with the girl Asya.
At the age of twenty-five, a young man travels around European countries, experiencing a desire to make new acquaintances and a curiosity to understand the world around him. Being a free and young man, not burdened with financial problems, he enjoys traveling, starting frivolous and optional romances with the female sex in each new city.
In one of the German towns, having attended a student party, the gentleman meets the family of the amateur artist Gagin and his half-sister named Asya, with whom the young man develops good friendships. Often visiting the Gagins' house, Mr. N.N. shares with the artist the story of his unhappy love for a young widow. In response, Gagin tells the young man about the origins of his family. It turned out that Asya is only the artist’s half-sister, who lost her father and mother at an early age.
Mr. N.N., looking at the girl, perceives her as an eccentric and strange person, with a rapidly changing mood in her own behavior, reminding him of a chameleon lizard. However, later the young man realizes the reasons for Asya’s behavior, which are due to the girl’s shy nature and the lack of practical advice from her relatives. Since, having been orphaned, Asya is deprived of parental care and affection, and her half-brother, who lives nearby, due to spinelessness and excessive kindness, is not able to teach the girl the wisdom of life.
After some time, the young man begins to experience tender feelings for Asya, and the girl reciprocates his feelings, ready to take decisive action for her lover. However, the indecisive young man, frightened of responsibility, does not have time to propose marriage to the girl, so the Gagin family hastily leaves the city and leaves without leaving a new address.
Mr. N.N. Subsequently, he never finds his personal happiness, living alone and keeping the bright memory of his feelings for Asa, which left tender and beautiful memories in his soul.
Several interesting essays
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Chekhov is truly a real writer and talented person. In his works he tells everything that happens in the world. Many of his works are small and short
- Essay In a bad society, grade 5, reasoning based on the story by Korolenko
Korolenko’s work “In bad society"made a great impression on me. I read it in one breath, I empathized with the characters. And all this made me think about a lot of things. First of all, about family values.
- Venetsianov A.G.
WITH early years showed a love for drawing. At first I studied on my own, without mentors. He showed a special affinity for portraiture.
- Do you need to make your dreams come true? Final essay grade 11
What are dreams? Do they need to be implemented or should they be implemented? We can say that dreams are one of the beautiful and indestructible particles in our existence. Each of us treats them differently. For example, Vasya really wants to fulfill his dream
My year starts on September 1st, not January 1st, as it actually happens for everyone. No I don't mean academic year. The thing is, when I say last year, I mean all the time up until September 1st.
The main heroines of Ivan Turgenev are wayward, original personalities, honest, smart, capable of great feeling. At the time when the author lived, a woman’s position obliged her to be docile and decent. In other words, women were expected to observe standards of decency, their role was to be an inconspicuous addition to their husband. But the heroines of this author’s books are “not normal” for their society, because they are sincere, do not know how to hide their feelings, although they are not deprived of intelligence. This type of woman was later called Turgenev's.
Asya – shining example Turgenev's girl, the heroine of the story "Asya". Her image is full of charming contradictions that can excite or frighten. But her main quality is that she is honest with herself and the people around her.
Origin of the heroine
At the time of the story, Asya is 17 years old. The main character, hiding his name under the initials N.N., meets her and her brother at a student event abroad. The author once emphasizes the mystery of the girl - the hat covered half of her face. Asya and her brother are too different in appearance, which aroused suspicion among Mr. N.N. However, they were indeed related. But Anna (that was the real name of the heroine) was ashamed of her origin.
She was the daughter of a landowner and a simple peasant woman. The father did not abandon his illegitimate daughter, and even took care of her upbringing. When her parents passed away, custody of Asya passed to her older brother, Gagin. Warm feelings arose between them. Asya studied at a prestigious boarding school, but never became a socialite. Her open soul was alien to secular hypocrisy.
Asya's appearance
The reader sees Asya through the eyes of the narrator, Mr. N.N. And this leaves a certain imprint, because he is in love with her. According to the hero, Asya is a very pretty person: round face, small thin nose, dark curly hair. Most likely, she could hardly be called a real beauty, but she felt inner beauty and fiery strength. The heroine's short, slender figure seemed not yet fully developed. And her round cheeks also showed that she was still a child. But sometimes her look and all her features changed so much that Asya looked very grown up.
An interesting detail in appearance - dark light eyes. This may seem strange at first. But such strangeness in appearance emphasizes the overall ambiguous image of the girl. The black-eyed girl had a bright look, although sometimes her appearance looked bold because of her narrowed dark eyes.
Character of the heroine
In Asya’s character, it was as if two elements were fighting: calm and wild. Being timid by nature, the girl tried to look more cheeky. Her fiery nature tried to suppress her shyness. And this struggle often manifested itself in Asya’s strange behavior. She either behaved quietly, was capricious like a child, or even looked like a madwoman. This was especially evident when she met Mr. N.N. and fell in love with him. But the heroine was still very young and did not know how to attract the attention of a more mature man. And yet, it was she who decided to take the first step and confessed her feelings.
Mr. N.N. He was also in love, but was afraid to reciprocate the feelings of a minor girl. Not only his age frightened him, but also the wild nature of the heroine. Due to long hesitation, the narrator misses his love. Asya leaves, having managed to understand that the indecisive Mr. N.N. will not be able to appreciate it.
