The theme of the homeland is one of the most popular among writers and poets. Each of them depicts their lands in their own way and expresses feelings towards them.
In this article we will analyze “Go away, my dear Rus'.” Yesenin dedicated to his native land. However, like many of his works.
Life and work of S. A. Yesenin
Before we begin to look at the poem, we will familiarize ourselves with some biographical data and the poet’s work.
Yesenin was from the Ryazan province. He was surrounded by nature since childhood. He admired and was inspired by her. His first poems were dedicated to her.
Having left his native village for the noisy city of Moscow, Yesenin yearned for his native place. There he was a simple boy who enjoyed the world around him. S. Yesenin’s “Go away, my dear Rus',” will show us how the poet depicts his lands.
1914 is the year it was written. By this time, the poet had been living in the capital for 2 years and was homesick for his native village.
Contents of the poem “Go you, my dear Rus'”
The work begins with the poet's address. It is directed native Rus'. He depicts her with huts that are clothed with images. Rus' is endless, with a blue sky in which your eyes drown. The author looks at the fields like a “wandering pilgrim.” Poplars rustle around the hedges.
During Spas it smells like honey and apples. In the meadows they dance and dance merrily. The poet writes that he will run along a rumpled path between green meadows and hear a girl’s laughter.
He says that even if he is called to heaven, but he has to leave these lands, he will refuse. Only the Motherland is needed by the poet.
Yesenin colorfully describes his region (“Go away, my dear Rus'”). The analysis that will be given below will show us this work from various sides. We will look at which the author used to create his brainchild.
Analysis of S. Yesenin’s poem “Go away, my dear Rus'”
The homeland that the poet depicted is shown as a saint. There are icons (images) in her houses. The poet himself feels like a “passing pilgrim” in it. The Savior is celebrated in churches. All this shows the spirituality of Rus'.
The homeland seems to be alive, and the poet addresses it as if it were a loved one.
The feeling of sadness comes through in these lyrics. The poet yearns for his native place, he is just a “passer-in”, a wanderer. He is sucked in by the blue sky and beckoned by the crumpled path. As Yesenin clearly called the poem - “Go you, Rus', my dear”! Analysis of this work takes us back to childhood and youth, when our souls were light. This poem is nostalgia for our native land.
To convey all the spirituality, beauty, melancholy, the author uses various means of expression. Which ones, we will consider further and here we will complete the analysis of “Go you, Rus', my dear.” Yesenin in his poetry always used literary techniques that made it unique.
Expressive means in the work
The first device we encounter in the poem is personification. It is expressed by the poet’s appeal to Rus'. This technique is also used in relation to dance(s) that buzz.
The poet uses color painting. The sky is so blue that your eyes drown in them. The meadows are green. You can also note the golden color that appears to the reader when he encounters lines about images, honey, churches.
Yesenin actively uses metaphors - a merry dance, poplars wither, as well as epithets - stranger, short, meek, crumpled, green.
What does the analysis of “Go You, My Dear Rus'” show us? Yesenin actively uses definitions to convey his characterization of the Motherland.
He uses verbs to make readers move with him and his story. First he examines his native land, then runs along the path and hears the laughter of the girls.
Conclusion
How much the analysis of “Go away, my dear Rus'” has shown us. Yesenin is a devoted fan and patriot of his native land. His Rus' is Konstantinovo, in which he spent his happy, serene years. It is the rural landscapes and way of life that attract Yesenin. He misses them while in Moscow.
What attracts him to his native land? Spirituality, beauty, simplicity. All that he did not meet in the capital.
To express his feelings the author used various techniques: personification, metaphor, epithet, used color painting. All these literary tools were able to draw in the eyes of readers the Rus' that the poet wanted to portray - with its huts, icons, small hedges, churches, the endless sky, fields, round dances. The essence of the Motherland for the poet is its spiritual beauty and closeness with nature.
His native land inspired Yesenin throughout his life. creative life. They inspired him to poetry, poems about them helped him enter the literary circle. Of course, the theme of Yesenin’s works is not limited to just a declaration of love for the Motherland and its description. However, these motifs are heard in many of his early poems.
Sergey Yesenin - great poet, who is equally connected by blood with his people and fatherland. The power of his words is imbued with unprecedented sincerity and honesty.
Sergei Yesenin, like most poets, tried not only to convey love for the Motherland in his poems, but also to create in them a unique, integral image of it. The strength and depth of Yesenin’s lyrics lies in the fact that the bottomless feeling of love for Russia is expressed not rhetorically and abstractly, but specifically, in visible material images, through the depiction of the native landscape. Love for the Motherland is also reflected not only in the semantic load of the poems, but also in their very artistic form, which is evidenced, first of all, by the deep internal connection of his poetry with folk oral creativity.
Analysis of the poems “Go away, my dear Rus'”
Most famous work early period creativity of Sergei Yesenin - “Go away, Rus', my dear”, is a kind of ode to the Motherland. The verse carries an extraordinary philosophy of values: ordinary simple things acquire divine meaning and spiritual content. The poet compares peasant huts with icons (“huts - in the vestments of an image ...”). Yesenin admires the extraordinary beauty and majesty of his native expanses, he feels himself a part of them. The author perceives Rus' as his personal paradise, in which he finds peace of mind and spirituality. The poem successfully combines heart-aching sadness and at the same time real pride and love for one’s native land. The author managed to show in one verse the entire diverse palette of his feelings towards Russia.
In the mid-20s of the 20th century, society began to take stock of the revolutionary upheaval in Russia. In the poem " Soviet Rus'", which was created in 1924, the author, with his characteristic lyrical touch, describes his excitement in connection with a new stage in the life of his state. Yesenin greets Soviet Russia with both joy and sadness. After all, the change of government and its establishment on a new path of development raised fears for the future of both the people and the state as a whole. But, despite his fears, Yesenin boldly says goodbye to old Russia, and accepts a renewed Russia, sincerely believing in its bright future.
Analysis of the poems “The feather grass is sleeping”
In 1925, after returning to parents' house S. Yesenin created the poem “ The feather grass is sleeping..." With trembling reverence, the author describes the picturesqueness of his native land: the endless expanses of forests, meadows, fields, and the magic and delight of the Russian night. Unlike earlier works, in the poem “The Feather Grass Sleeps” love for the Motherland is depicted as hard-won, having gone through many obstacles, but still not leaving the heart of the faithful son of his Fatherland. The lyrical hero reflects on the purpose in life that is predetermined for him by fate. The poem very clearly shows sadness about the past, which can no longer be returned. Dawn symbolizes the advance new era, in which the author cannot find his place.
The fate of the great Russian poet Sergei Yesenin is quite ambiguous and mysterious. He had the opportunity to travel a lot and live far from his homeland. But he always hurried to where his home was, to where his soul would be filled with peace and harmony.
Being a true patriot, Yesenin never idealized his homeland - Russia. He, like no one else, knew about her shortcomings, troubles, and difficulties in life. common man. But, despite this, Yesenin sincerely loved Russia, such as it was, with its advantages and disadvantages. That is why the poet always strove to “go home” in order to find peace here.
The poem “Go you, Rus', my dear...” is one of best works Sergei Yesenin, in which he glorifies his homeland. It was written in 1914. By this time, Yesenin was already quite famous and lived in Moscow. Huge city was not to the poet's liking. Yesenin tried to drown his melancholy in wine. The poet's thoughts increasingly took him back to the past, to the time when he was a simple peasant boy, when he was truly happy and free.
The poem “Go you, Rus', my dear...” becomes a memory of past life. In it, Yesenin tried to convey to us the emotions and feelings that he experienced while enjoying the beauty great Russia. In the poem, the poet assigns himself the role of a “wandering pilgrim” who only wants to pay tribute to his homeland. For Yesenin, the homeland is a temple that gives the weary traveler peace of mind and harmony, without taking anything in return.
Also, it is worth noting that in the poem “Go away, my dear Rus'...” Sergei Yesenin creates a rather ambiguous image of Russia. In the poem, wretchedness and beauty, dirt and purity, the divine and the earthly go side by side. But, despite this, the poet is not ready to exchange the apple-honey smell of the summer Savior and the ringing “girlish laughter” for anything. Yesenin, knowing that peasant life is full of all sorts of problems and difficulties, considers it more rational than his current life. Ordinary people have not lost touch with the past. They remember and sacredly protect the customs and traditions of their ancestors, their lives are filled with meaning. A simple person is truly rich, because he has the opportunity to enjoy the grandeur of nature, watch the leisurely flow of the river, the silence of the forest, and the singing of birds. Sergei Yesenin believed that if there is heaven on earth, then it is located right here - in a Russian village, unspoiled by man, in its pristine beauty.
Sergei Yesenin ends the poem “Go you, my dear Rus'...” with the lines:
I will say: “There is no need for heaven,
Give me my homeland"
In my opinion, these lines once again emphasize the poet’s boundless love for his homeland. Yesenin was ready to give up any human benefits just to have the opportunity to find himself again on his native land, to feel part of this huge country and its powerful people.
Sergei Yesenin visited many countries, but always returned to Russia. The poet saw all the shortcomings: broken roads, drunkenness and poverty of the peasants, tyranny of the landowners, absolute faith in the tsar. But despite all this, he loved his homeland and considered it best place in the world. Below is an analysis of “Go away, my dear Rus'.”
Features of the poet's creativity
IN brief analysis"Go you, Rus', my dear" one of the points is to consider distinctive features Yesenin's poetry. Love for the Motherland has always occupied a special place in his work. But the poet wrote about rural landscapes with special tenderness.
This poem was created in 1914, by that time Yesenin had already lived for some time in Moscow, but its noise and bustle tired him, so he yearned more and more for the times when he was a simple peasant boy. Yesenin expressed his melancholy and affection in poetry. Life for a poet ordinary people always remained correct, even though one of the main problems was poverty. But they respected traditions and family foundations, which delighted the poet.
In the analysis of “Go you, Rus', my dear,” it is necessary to point out that in it Yesenin emphasizes his love for the Motherland by the fact that he would not exchange the smell of honey and apples, churches that bring a blissful mood, and endless green meadows for anything. In this poem, the poet writes about his love for his homeland and village life.
Image of Rus'
In the analysis of “Go you, Rus', my dear,” it is important to determine what place the image of Rus' occupies in this creation. Why does Yesenin call Russia this way? Perhaps because in that era of the ancient Russian state the people were closer to nature, they respected all the important church holidays and the customs of our ancestors. The poet, who loved villages and land, missed the time when agriculture was the main occupation of the Slavs.
In the analysis of “Go you, Rus', my dear,” it should also be noted that the poet compares the Motherland with a temple that unites everything and everyone. Behind this image stands the poet’s entire life philosophy, which consisted of love for one’s roots and acceptance of one’s homeland as it is. But the ensuing revolution destroyed this temple, dividing the entire society, and therefore the poet yearned even more for his native land.
Literary means of expression
The next point in the analysis of the poem “Go away, my dear Rus'” is to determine what paths and stylistic means the poet used. Personifications allow the poet to “revive” the image of Rus', and epithets help convey the blissful state of mind of the lyrical hero. A peaceful state for both the hero and the peasants is achieved through unity with nature.
And the metaphor gives even greater significance to the image of Rus' in the poem. At the poet's blue is associated not only with vastness blue sky and the surface of the water, but also with the Motherland. The golden color is also metaphorical, which is not expressed so clearly in the lines, but it manifests itself in the details. This is honey, thatched roofs of houses, yellowed leaves, fields. This color design makes the image of Rus' even more sublime and significant.
And verbs that are used in the future tense indicate the hero’s desire to travel around his country, across its endless expanses, to see all the most beautiful things.
End of the work
In the analysis of the poem “Go you, my dear Rus',” you can take a closer look at its ending. Yesenin ends his work with a simple line, written in a non-sublime style. He emphasizes that simple life, which was the most correct for the poet.
In the last lines, Yesenin shows all his love for the Motherland: he does not need anything, only his Rus', which is paradise for him. Perhaps this also refers to a call to revolutionaries who changed the usual way of life. And perhaps the poet wanted to tell them not to touch everything that was beautiful that Rus' had.
An analysis of Yesenin’s “Go away, Rus', my dear” shows how strong his love for the country, the peasant life for which he yearned. He would not exchange all the delights of the rural landscape and the unique charm of Russian nature for anything. All words breathe with enthusiasm and adoration, which increases with each line.
It is this love for the Motherland, acceptance of its shortcomings, the ability to admire and admire everything beautiful that is in it - this is the main thing distinctive feature creativity of the poet. And in this poem, Yesenin showed it with the help of the diversity of the Russian language, using a simple syllable to emphasize the love of simple life.
By the time he wrote the poem “Go away, my dear Rus'...” in 1914, Sergei Yesenin had already gained fame as a famous Moscow poet. He achieved poetic fame, among other things, thanks to poems on the theme of the Motherland, to which he dedicated most of his works.
The main theme of the poem
The image of Rus' for Yesenin is his village world, which the Moscow mischievous reveler has already managed to yearn for - the world of village life and village nature. The houses “smell of apple and honey”, “near the low outskirts the poplars are loudly withering.” This is the gray beauty of central Russia, but for every village corner and for every bump Yesenin finds a bright word. Critics note that in reality the phenomena described by the poet are much more boring and dull than the poetic descriptions he selected. Yesenin merges with nature, draws strength and inspiration from the village.
In the poem, the poet turns to his past village life, trying to resurrect the life-giving sensations that he experienced while walking in Russian forests and meadows, while working and contemplating. Main topic poems - love for the Motherland, the desire to feed on this love, breathe it in, experiencing the past, and radiate it in return. In his poetic return to his homeland, Yesenin sees himself as a “passing pilgrim,” as if he were on his way to some shrine, rushing to bow to it and reverently touch it, dreaming of spiritual healing. Rustic Rus' is associated with a large temple, bright and clear.
The poem is saturated bright love to Rus', bright, joyful emotions. The colors are bright, shiny: gold (“huts are in the robes of the image”), blue (“blue sucks the eyes”), “green lech”.
The mood of the poem is festive: it is both the joy of a date and a holiday in the village - the Savior with girlish laughter and dancing in the meadows.
In the last stanza, Yesenin hints that he has already visited many countries of the world, but nowhere was he as happy as in Russia. And even if he is offered to exchange his homeland not for another country, but for paradise, he knows that he will not find happiness in paradise - he needs his poor and rich, drinking, cheerful and crying, sublime and primitive, pious and blasphemous Rus'.
Structural analysis of the poem
The beginning of the poem is indicative - it is stylized as an address in dialogues in ancient Russian epics (“You are a goy, good fellow”). “Goiti” in Old Russian meant a wish for health and prosperity. Everywhere vernacular, dialectisms showing the author’s reverent attitude towards his homeland: “ringing”, “korogod”, “lekh”, “privol”.
The vivid poetic technique that the poet uses is the personification of Rus'. The poet addresses the Motherland as if he is talking to it. The dancing is personified - it thunders, and the laughter - it rings, and the poplars - they “wither ringingly.”
The comparisons are extensive and multifaceted: “the huts are in the robe of the image,” “like earrings, a girl’s laughter will ring out.”
The landscape is metaphorical: the sky, which drowns the eyes, golden huts, trees rustling so that it seems as if they are ringing, not a trodden path, but a “crumpled stitch.”
The rhyme is cross, even and odd lines rhyme with each other. The rhyme is used alternately: in even lines it is feminine, in odd lines it is masculine.
The meter used by the poet is trochaic pentameter, it gives the poem a decisive, bold rhythm, and the closer to the finale, the more decisive the poet is - he realizes that the main thing for a person is love for his native land, which he absorbed with his mother’s milk and which life-saving for him at any turn in life.
